I had somehow finagled my way in to getting a studio there as an undergrad because I was interested in the wood kiln and the salt kiln, both at the Melrose Studio. They were most likely in a kiln that was fired with Peter Rose. The pots are, what I called then, loose.
I just didn't know how to thrown that well, and was happy to be making pots that looked Asian. Japanese potter, Shiro Otani, had built* the anagama a couple of years earlier, and I was under the influence that lingered there at UT, after Otani's residency. As a matter of fact, Shiro was teaching at Arrowmont at some point, and I went to meet him and tell him that I was firing the kiln he had built. I brought a couple of pots with me to show him. He generously took a moment to look at them and didn't say a word, he just handed them back and smiled. As a young potter from Tennessee, I didn't know how to interpret his response. I think he was just being polite!The kiln and studios were bulldozed in 2005 to make room for a parking lot.
*UPDATE:
The kiln was actually built by Ken Shipley, Stephen Frazier, Patrick Houston, and others after the kiln built at Arrowmont built by Otani.
Good story about your UT days. Nice to see Peter finally got a website too! He's a great guy. Good to see Suzi and Kent acting up too. Have a good weekend.
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